11/19/2022 0 Comments Wu tang clan cream piano![]() Method’s cadence and content on the hook proves why this is one of the most referenced Hip-Hop hooks of all time. ![]() The verses work hand-in-hand with Method Man’s infectious hook, “Cash rules everything around meĭollar dollar bill, y’all ” - Wu-Tang Clan - C.R.E.A.M The beat’s dark nature compliments the lyricism along with the cadence and the aggressive style of delivery throughout. His rhyme scheme is filled with internal rhyme as he speaks about his depression. Inspectah Deck begins the second verse on a sinuous cadence as he rhymes fiercely. The raw nature of cadence, flow and delivery style compliments the instrumental perfectly. (Cash Rules Everything Around Me) (feat.Method Man, Raekwon, Inspectah Deck & Buddha Monk) because they have similar tempos, adjacent Camelot values, and complementary styles. Raekwon’s verse is touching as he rhymes of his struggles growing up with an aggressive delivery. The following tracks will sound good when mixed with Wu-Tang Clan, Method Man, Raekwon, Inspectah Deck, Buddha Monk C.R.E.A.M. They reference sociopolitical situations that they faced while ultimately expressing one point: if you don’t have money, you can’t live your life. ![]() On a cool beat, members of the Wu-Tang rhyme intricately. It’s hard to improve on already classic sample but as the pioneer of the chipmunk soul technique, GZA gives a great illustration of incredible production. The song samples The Carmels, “As Long As I’ve Got You”, which was also produced by the legendary, Isaac Hayes. “C.R.E.A.M (Cash Rules Everything Around Me)” is the one of RZA’s finest productions. ![]() And Mobb Deep’s Prodigy delivers on the threat with his astonishing first verse: “Rock you in your face, stab your brain with your nose bone…” It’s the kind of thing that should get you locked up for life.On their generation defining album, Enter The Wu-Tang (36 Chambers), Wu-Tang Clan had many memorable moments on a classic album, however, none resonates more than C.R.E.A.M. It’s the sound of a looming threat that could exist in any era. II” so timeless is that it’s also somewhat generic. ![]() II,” Mobb Deep’s Havoc combined three equally mercurial jazz samples: Herbie Hancock’s “Jessica,” “Daly-Wilson Big Band’s “Dirty Feet” and Quincy Jones “Kitty With The Bent Frame.” The songs are so obscure (at least to hip hop fans), their presence in the track remained somewhat of a mystery for a decade and a half. From the get-go Wu-Tang Clan’s intention was to establish themselves as a group first and then begin to profile themselves by doing solo projects, becoming a major force in the rap game as time progressed a plan they pulled off flawlessly. II.” That slow drum beat and those sirens seemingly ripped out of a horror film. There’s something immediately terrifying about “Shook Ones, Pt. ![]()
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